TitleMlle. Camargo
NamesLancret, Nicolas, 1690-1743 (Artist)
CollectionPrints depicting dance
Theatrical dancers in groups or more than two but not in a ballet or theatrical dance scene
Dates / OriginDate Issued: 1790 - 1799 (Questionable)
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZFY Anon Cam 1
TopicsCamargo, Marie Anne de Cupis de, 1710-1770Ballet -- France -- 18th century
GenresPrintsPortraits
NotesContent: Title devised by cataloger.Biographical/historical: Although the printmaker has not been identified, this image closely follows Nicolas Lancret's oil painting, dated 1730, in the Wallace Collection, London, which is thought to be the earliest of Lancret's portrayals of Camargo. This painting was reproduced in different versions by several printmakers, among them Laurent Cars, who reversed the image so that Camargo gazes towards her right. This print eliminates two onlookers seen in the painting, and compresses the four musicians into a more compact group. The pillar and urn behind the lone musician have been brought completely into the picture and enlarged; the treatment of the trees in the background is different; and this print has added at far right a view of a distant cityscape against a mountain.
Physical DescriptionEtchingsExtent: 1 print : engraving, black and white ; 41 x 49 cm.
DescriptionDepiction of the French ballerina Marie Camargo dancing in a sylvan landscape. A musician stands at her right; four more musicians are ranged on lower ground at her left. Camargo is poised on her right foot, with her left foot slightly elevated; her gaze is directed to her left. She wears the shortened skirts that she introduced to display the brilliance of her footwork.
Type of ResourceStill image
IdentifiersRLIN/OCLC: 825069678NYPL catalog ID (B-number): b19758167Universal Unique Identifier (UUID): a6568000-0107-0135-9aef-2788f17bb138
Rights StatementThe New York Public Library believes that this item is in the public domain under the laws of the United States, but did not make a determination as to its copyright status under the copyright laws of other countries. This item may not be in the public domain under the laws of other countries. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library," and provide a link back to the item on our Digital Collections site. Doing so helps us track how our collection is used and helps justify freely releasing even more content in the future.
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